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Fauvism (/ f oʊ v ɪ z əm / FOH-viz-əm) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves ( French pronunciation: [le fov] , the wild beasts ), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational ...
The Green Stripe (also known as The Green Line or Madame Matisse) is an oil painting from 1905 by French artist Henri Matisse of his wife, Amélie Noellie Matisse-Parayre. The title stems from the vertical green stripe down the middle of Madame Matisse's face, an artistic decision consistent with the techniques and values of Fauvism.
It is an example of the Fauvist style of painting that Matisse became famous for, and for which he was a leader, roughly between the years 1900–1909. [2] The Open Window depicts the view out the window of his apartment in Collioure , on the Southern coast of France.
The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement. [8] In March 1906, the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject.
Fauvist painters included Albert Marquet, Charles Camoin, Maurice de Vlaminck, Raoul Dufy, Othon Friesz, the Dutch painter Kees van Dongen, and Picasso's partner in Cubism, Georges Braque amongst others. [9] Fauvism, as a movement, had no concrete theories, and was short lived, beginning in 1905 and ending in 1907.
These friendships brought him to the movement of Fauvism, the leader of which was considered to be Matisse. In 1905, he exhibited his paintings at the Salon d'Automne with the other Fauvists. While Matisse represented the reflective and rationalized aspects of the group, Rouault embodied a more spontaneous and instinctive style.
Raoul Dufy (French pronunciation: [ʁaul dyfi]; 3 June 1877 – 23 March 1953) was a French painter associated with the Fauvist movement. He gained recognition for his vibrant and decorative style, which became popular in various forms, such as textile designs, and public building decorations.
The 1912 Goldfish painting was unlike other Matisse works featuring goldfish, as the four goldfish themselves are the focus of the piece. [2] Matisse continued the use of bright colours found in his Fauvist work on Goldfish. The painting features a "bright orange [that] strongly contrasts with the more subtle pinks and greens that surround the ...
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