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Half of my youth I watched the soldiers And saw mechanic clerk and cook Subsumed beneath a uniform. Gray black and khaki was their look Whose tool and instrument was death.
Line breaks, indentations, and the lengths of individual words determine the visual shape of the poetry on the page, which is a common aspect of poetry but never the sole purpose of a line break. A dropped line is a line broken into two parts, in which the second part is indented to remain visually sequential through spacing.
"To Richard Cotton, Esq.," composed by Geoffrey Whitney in 1586, which describes Combermere Abbey using the metaphor of a beehive, may be the earliest example. [ 3 ] Other well-known instances of the genre include Andrew Marvell 's Upon Appleton House , which describes Thomas, Lord Fairfax 's country house, where Marvell was a tutor between ...
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
In mid-November 1829, Poe agreed with the Baltimore firm Hatch and Dunning to publish his second volume of poetry, entitled Al Aaraaf, Tamerlane, and Minor Poems.This volume was the first instance in which Poe published his verse under his own name as opposed to his first publication, Tamerlane and Other Poems, which was only attributed to “a Bostonian”.
The following is a sample from the cento Sacra Aeneis (1618), by Etienne de Pleure, on the adoration of the Magi.The lines of Vergil used, from his Aeneid and Georgics, are indicated on the left (e.g. 6.255 points to book 6, line 255); or, if changed in the middle of a line, an asterisk separates the new quotation with its source indicated on the right.
Although Shakespearian experts disparaged Ogburn's methodology and his conclusions, one reviewer, Richmond Crinkley, the Folger Shakespeare Library's former director of educational programs, acknowledged the appeal of Ogburn's approach, writing that the doubts over Shakespeare, "arising early and growing rapidly", have a "simple, direct ...
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