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Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
In their 1970 book “Silk-Screen Printing for Artists & Craftsmen”, Mathilda V. and James A. Schwalbach wrote that a “major force in the development of serigraphy as a fine art was the formation in 1940 of the National Serigraph Society.
Art historian Mary Francey wrote, "The demand for the two instructional manuals Velonis wrote that described the process in detail was so great that mimeographed copies were made available to artists nationwide. Because it required simple, inexpensive equipment, screen printing had immediate and widespread appeal.
Support from the Nantucket Historic Trust provided pay and housing for professionals in the textile arts from all over the world to teach needlery at the resident classes. Workshops were offered year round in subjects such as tapestry, weaving, vegetal dye, spinning, bobbin lace, and silk screen printing.
The original 1953 publicity photo. The Marilyn Monroe portfolio is a portfolio or series of ten 36×36 inch silkscreened prints on paper by the pop artist Andy Warhol, first made in 1967, all showing the same image of the 1950s film star Marilyn Monroe but all in different, mostly very bright, colors.
Combinations of cold water-soluble carboxymethylated starch, guar gum and tamarind derivatives are most commonly used today in disperse screen printing on polyester. Alginates are used for cotton printing with reactive dyes, sodium polyacrylates for pigment printing, and in the case of vat dyes on cotton only carboxymethylated starch is used.
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