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The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form. In his work, Ortega explains how the untrained eye, which is used to seeing only content in traditional paintings, must find a new approach to viewing the work of art. [2]
Dehumanization is the denial of full humanity in others along with the cruelty and suffering that accompany it. [1] [2] [3] A practical definition refers to it as the viewing and the treatment of other people as though they lack the mental capacities that are commonly attributed to humans. [4]
Aestheticians and art philosophers often engage in disputes about how to define art. By its original and broadest definition, art (from the Latin ars, meaning "skill" or "craft") is the product or process of the effective application of a body of knowledge, most often using a set of skills; this meaning is preserved in such phrases as "liberal ...
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
He was also an art director prior to going full-time in his visual art practice in the 1960s. His early (1940s–1960s) works, alongside those of peer, Hernando Ocampo are described as depictions of anguish and dehumanization of beggars and laborers in the city. These include Man and Woman (alternatively known as Beggars) and Gadgets.
The young Karl Marx is sometimes considered a humanist, as he rejected the idea of human rights as a symptom of the very dehumanization they were intended to oppose. Given that capitalism forces individuals to behave in an egoistic manner, they are in constant conflict with one another, and are thus in need of rights to protect themselves.
The Invention of Art: A Cultural History by Larry Shiner is an art history book which fundamentally questions our understanding of art. "The modern system of art is not an essence or a fate but something we have made. Art as we have generally understood it is a European invention barely two hundred years old." (Shiner 2003, p.
Dehumanization is one possible outcome of pseudospeciation, as is ethnic discrimination or genocide. [citation needed] Francisco Gil-White proposed in 2001 that humans evolved in such a way that the brain perceives different ethnic groups to be equivalent to different biological 'species', thus suggesting that pseudospeciation is innate.