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A script book of Quatermass and the Pit was released by Penguin Books in April 1960, with a cover by Kneale's artist brother Bryan Kneale. In 1979 this was re-published by Arrow Books to coincide with the transmission of the fourth and final Quatermass serial on ITV; this edition featured a new introduction by Kneale.
Quatermass and the Pit (US title: Five Million Years to Earth) is a 1967 British science fiction horror film from Hammer Film Productions. [2] It is a sequel to the earlier Hammer films The Quatermass Xperiment and Quatermass 2. Like its predecessors, it is based on a BBC Television serial, in this case Quatermass and the Pit, written by Nigel ...
The Quatermass Memoirs was repeated several times on digital radio station BBC7 from 2003, and the serial was released on CD in 2006. [52] A live theatrical production of Quatermass and the Pit was staged, with the permission of Kneale, outdoors in a quarry at the village of Cropwell Bishop in Nottinghamshire in August 1997. The adaptation was ...
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The Quatermass Conclusion was released on VHS videotape in 1985 while the complete four-part Quatermass serial was released in 1994. [39] Quatermass, along with The Quatermass Conclusion was released on region 2 DVD in 2003 by Clearvision in a three disc boxset; extras included a Sci-Fi Channel interview with Nigel Kneale and extensive ...
Quatermass and the Pit (US title: Five Million Years to Earth) is a 1967 British science fiction horror film from Hammer Film Productions. [2] It is a sequel to the earlier Hammer films The Quatermass Xperiment and Quatermass 2. Like its predecessors, it is based on a BBC Television serial, in this case Quatermass and the Pit, written by Nigel ...
Kneale illustrated the covers for Penguin Books' releases of his elder brother's Quatermass scripts in 1960. [6] He was also responsible for a painting of a lobster from which BBC special effects designers Bernard Wilkie and Jack Kine drew their inspiration for the Martian creatures they constructed for Quatermass and the Pit (1958–59). [7]
Morell in The Giant Behemoth. Morell returned to the theatre after the war, including another period at the Old Vic in the 1951–52 season. [1] The New Statesman's critic T. C. Worsley wrote of his performance in a star-studded revival of King Lear that "Mr Morell's Kent is the best I remember since Sir Ralph Richardson's."