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Among Driver's numerous works are commentaries on: [1] Notes on the Hebrew Text of the Books of Samuel (Hebrew text, 1890) Book of Leviticus (1894 Hebrew text, 1898 trans. and notes) Book of Joel and the Book of Amos (1897) The Book of Daniel, with Introduction and Notes (1900) Book of Deuteronomy (1902) Book of Job (1905) The Book of the ...
Record a pronunciation in OGG format. Much of the advice at Wikipedia:WikiProject Spoken Wikipedia/Recording guidelines applies here (e.g. equalization and noise reduction), except that unlike a spoken article, a pronunciation recording should contain only the pronunciation of the word, and no English description or explanation. This allows it ...
William Hendriksen (18 November 1900 – 12 January 1982) was a New Testament scholar and writer of Bible commentaries.He was born in Tiel, Gelderland, but his family moved to Kalamazoo, Michigan in 1911.
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This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
An Introduction to the New Testament (2004) and A Commentary on the Epistle to the Romans (NICNT, 1996, 2018) Douglas J. Moo (born March 15, 1950 [ 1 ] ) is a Calvinistic New Testament scholar who, after teaching for more than twenty years at Trinity Evangelical Divinity School in Illinois , served as Blanchard Professor of New Testament at the ...
The Word Biblical Commentary (WBC) is a series of commentaries in English on the text of the Bible both Old and New Testament. It is currently published by the Zondervan Publishing Company . Initially published under the "Word Books" imprint, the series spent some time as part of the Thomas Nelson list.
The Criterion Collection introduced audio commentary on the LaserDisc format, which was able to accommodate multiple audio tracks.The first commentary track, for the 1933 film King Kong, was recorded by Ronald Haver, a curator at the Los Angeles County Museum of Art, and was inspired by the stories Haver told while supervising the film-to-video transfer process. [1]