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Parade de cirque (English: Circus Sideshow) is an 1887-88 Neo-Impressionist painting by Georges Seurat. It was first exhibited at the 1888 Salon de la Société des Artistes Indépendants (titled Parade de cirque , cat. no. 614) in Paris, where it became one of Seurat's least admired works.
The series was produced by independent TV production company Fulmar Television & Film, based in Cardiff. [1] The series producer, who also devised the concept of the programme, was Jeremy Bugler. [2] The series was well received by art and television critics. The Times' David Chater placed it at Number 30 in his paper's Top 50 TV shows of the ...
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
Georges Seurat first studied art at the École Municipale de Sculpture et Dessin, near his family's home in the boulevard Magenta, which was run by the sculptor Justin Lequien. [ 12 ] [ 13 ] In 1878, he moved on to the École des Beaux-Arts where he was taught by Henri Lehmann , and followed a conventional academic training, drawing from casts ...
The painting was Seurat's third major work treating the theme of the circus, after his Parade (Circus sideshow) of 1887–88 and Le Chahut of 1889–90. It depicts a female performer standing on a horse at the Circus Fernando (renamed the Circus Médrano in 1890, after its most famous clown).
Pages in category "Paintings by Georges Seurat" ... (Seurat) M. Models (painting) P. Parade de cirque; S. A Sunday Afternoon on the Island of La Grande Jatte; Y.
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat.Seurat's most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. [1]
The Seine seen from La Grande Jatte [111] National Gallery, London 176 15.7 × 25 More images: 1888 La Seine à la Grande-Jatte [112] Royal Museums of Fine Arts, Brussels 177 65 × 82 More images: 1887 Study for "The Circus Parade" [113] Stiftung Sammlung E. G. Bührle, Zürich 187 16.5 × 26 More images: 1887 to 1888 The Circus Parade [114]