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Two dancers of Argentine tango on the street in Buenos Aires. Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. [1] It typically has a 2 4 or 4 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC.
Gustavo Naveira and Giselle Anne. Milonguero-style tango, also known as estilo milonguero (in Buenos Aires, known by name Estilo del centro because it originates from downtown milongas where dance floors were crowded) or apilado (piled up, stacked), is a close-embrace style of social tango dancing in which the focus is inward and the leg and arm movements are kept small. [4]
In Argentina, the word Tango seems to have first been used in the 1890s. In 1902, the Teatro Opera started to include tango in their balls. [11] Initially tango was just one of the many dances practiced locally, but it soon became popular throughout society, as theatres and street barrel organs spread it from the suburbs to the working-class slums, which were packed with hundreds of thousands ...
Milonga is a musical genre that originated in the Río de la Plata areas of Argentina, Uruguay, and the Brazilian state of Rio Grande do Sul. [1] [2] It is considered a precursor of the tango. "Milonga is an excited habanera." The original habanera divided into four pulses, in a standard two-four where every note was stressed. In becoming ...
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay.The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. [1]
Alberto's definitive work is the book Gotta Tango, which he co-authored with Valorie Hart. The book begins with the culture, history, and music of Buenos Aires that evolved into the Argentine tango dance. The instructional section of the book explains the fundamental concepts and techniques of dancing Argentine tango. [4]
Since then, tango and folklore appeared as different and even conflicting forms of Argentine popular music: tango as "city music", while folklore was identified with rural music. For several decades tango was considered the popular music of Argentina, relegating folklore, which remained isolated in the local spheres of each region. [49]
Argentine tango, however, makes extensive use of the cross system with dancers facing each other. In Argentine tango, the leader can change his weight from one foot to another while the follower's weight remains unchanged; this is the simplest method of changing from parallel system to cross system or vice versa.