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Euripides has been hailed as a great lyric poet. [76] In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise". [77] His lyrical skills are not just confined to individual poems: "A play of Euripides is a musical whole...one song echoes motifs from the preceding song, while introducing new ones."
Alcmaeon in Corinth (Ancient Greek: Ἀλκμαίων ὁ διὰ Κορίνθου, Alkmaiōn ho dia Korinthou; also known as Alcmaeon at Corinth, Alcmaeon) is a play by Greek dramatist Euripides. It was first produced posthumously at the Dionysia in Athens, most likely in 405 BCE, in a trilogy with The Bacchae and Iphigenia in Aulis .
Helen (Ancient Greek: Ἑλένη, Helénē) is a drama by Euripides about Helen, first produced in 412 BC for the Dionysia in a trilogy that also contained Euripides' lost Andromeda. The play has much in common with Iphigenia in Tauris , which is believed to have been performed around the same time period.
Hecuba (Ancient Greek: Ἑκάβη, Hekabē) is a tragedy by Euripides, written c. 424 BC.It takes place after the Trojan War but before the Greeks have departed Troy (roughly the same time as The Trojan Women, another play by Euripides).
Rhesus (Ancient Greek: Ῥῆσος, Rhēsos) is an Athenian tragedy that belongs to the transmitted plays of Euripides.Its authorship has been disputed since antiquity, [1] and the issue has invested modern scholarship since the 17th century when the play's authenticity was challenged, first by Joseph Scaliger and subsequently by others, partly on aesthetic grounds and partly on account of ...
Hypsipyle (Ancient Greek: Ὑψιπύλη) is a partially preserved tragedy by Euripides, about the legend of queen Hypsipyle of Lemnos, daughter of King Thoas. [1] It was one of his last and most elaborate plays. [2] It was performed c. 411–407, along with The Phoenician Women which survives in full, and the lost Antiope. [3]
Cyclops (Ancient Greek: Κύκλωψ, Kyklōps) is an ancient Greek satyr play by Euripides, based closely on an episode from the Odyssey. [1] It is likely to have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in 5th Century BC Athens, although its intended and actual performance contexts are unknown. [2]