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In 1840—a hundred years after the publication of Hymns and Sacred Poems—Mendelssohn composed a cantata to commemorate Johannes Gutenberg's invention of movable type, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of "Hark! The Herald Angels Sing", that is used for the carol today. [3 ...
Part 2, beginning "Vaterland, in deinen Gauen", was later adapted to the words of Charles Wesley’s Christmas carol "Hark! The Herald Angels Sing " (against Wesley's original request, as he had originally wanted more somber music, though he had been long deceased by this point).
"Hark! The Herald Angels Sing" *music: Felix Mendelssohn, words: Charles Wesley, amended by George Whitefield and Martin Madan: 1739 originally as part of Festgesang, adapted and harmonised by William Hayman Cummings; descant for verse 3 added in 1961 by Sir David Willcocks for the Carols for Choirs books "Here We Come A-wassailing" English ...
Hark! The Herald Angels Sing: Charles Wesley: Felix Mendelssohn: 210: With Wondering Awe: Anon. Anon. 211: While Shepherds Watched Their Flocks: Nahum Tate: Yorkshire carol: 212: Far, Far Away on Judea's Plains: John Menzies Macfarlane: John Menzies Macfarlane: 213: The First Noel: Traditional English carol: Traditional English carol: 214: I ...
Orchestral score and parts are now rented by European American Music. In 1983, two years after Robert Russell Bennett's death, Shaw recorded a somewhat revised digital stereo version of The Many Moods of Christmas , with the Atlanta Symphony Orchestra and Chorus, released that December by Telarc .
The music was attributed to "W. M.". According to some websites, [4] the hymn is by the nineteenth-century Wilfrid Moreau from Poitiers. "Angels We Have Heard on High" was an 1862 paraphrase by James Chadwick [citation needed], the Roman Catholic Bishop of Hexham and Newcastle, in the north-east of England. Chadwick's lyrics are original in ...
Hark! how the heavenly anthem drowns All music but its own: Awake, my soul, and sing Of him who died for thee, And hail him as thy matchless king Through all eternity. Crown him the Virgin's Son! The God Incarnate born,--Whose arm those crimson trophies won Which now his brow adorn! Fruit of the mystic Rose As of that Rose the Stem:
Wilberg began his career at BYU as a professor of music. Wilberg was a professor of music at BYU from 1984 to 1999, where he directed the Men's Chorus and Concert Choir. [5] At BYU, he was a member of the American Piano Quartet, which toured internationally and commissioned many original works, with Wilberg creating many of its arrangements ...
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