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Riddick: Furya is an upcoming American science fiction action film written and directed by David Twohy and based on the character Richard B. Riddick by the Wheat Brothers.It is the fourth installment in The Chronicles of Riddick film series and a sequel to Riddick (2013).
Draft talk:A Beautiful Breakup (2025 film) Draft talk:A Car's life: Sparky's big Adventure; Draft talk:A Corpse in Kensington; Draft talk:A Dangerous Kind of Love; Draft talk:A day in Culiacán; Draft talk:A Dog's Will 2; Draft talk:A Head Full of Ghosts (film) Draft talk:A Place Under the Sun (2024 film) Draft talk:Aājoor (2024)
Bollywood Hungama rated the movie 2.0/5 and said, "AZAAD movie struggles to captivate due to a lackluster first half, a weak script, and the absence of a romantic angle. At the box office, the limited buzz around the film will pose challenges, though the Cinema Lovers Day offer might provide some relief to an extent on Day 1." [26]
Furia is a 1999 French romantic post-apocalyptic sci-fi film directed by Alexandre Aja, who co-wrote the screenplay with Grégory Levasseur, adapted from the science fiction short story "Graffiti" by Julio Cortázar.
Fury (Russian: Фурия, romanized: Furia) is an upcoming Russian TV series co-produced by Bubble Studios and Kinopoisk, based on the Red Fury Russian comic book series by Bubble Comics. The series is part of the Bubble cinematic universe along with the movie Major Grom: Plague Doctor.
Drafthouse Films is an independent film distribution company based in Austin, Texas. It was founded in 2010 by Tim League, who had previously founded the Alamo Drafthouse Cinema chain. Drafthouse has released a variety of films since its inception. Its third release, Bullhead, was nominated for an Academy Award for Best Foreign Language Film. [1]
The film stars Mel Gibson and Tina Turner, and follows a lone roving warrior who is exiled into the desert. It was Gibson's last performance as "Mad Max" Rockatansky . Mad Max Beyond Thunderdome was released in Australia on 10 July 1985.
Javier Ocaña of El País deemed the film to be a "more than worthy approach to political cinema, with marked melodramatic overtones". [7]Alberto Luchini of El Mundo rated the film 3 out of 5 stars, highlighting its realistic characters, portrayed with multiple edges and without manichaeism, as the best thing about the film.