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The task of naming Greek vase shapes is by no means a straightforward one. The endeavour by archaeologists to match vase forms with those names that have come down to us from Greek literature began with Theodor Panofka ’s 1829 book Recherches sur les veritables noms des vases grecs , whose confident assertion that he had rediscovered the ...
A new shape is the straight-sided cylindrical cup. [ 26 ] MMIA wares and local pottery imitating them are found at coastal sites in the eastern Peloponnese , though not more widely in the Aegean until MMIB; their influence on local pottery in the nearby Cyclades has been studied by Angelia G. Papagiannopoulou (1991).
Ancient Greek pot shapes (1 C, 53 P) C. ... Vases (4 C, 7 P) Pages in category "Pottery shapes" The following 35 pages are in this category, out of 35 total.
Slab-footed tripod vessels are a signature of the ceramicists of Teotihuacan. These dishes consist of a large pot supported by three legs. The size of these vessels ranges from personal drinking cups to large basins. The range of styles is just as great. The walls can be any combination of concave, straight, unornamented or highly decorative.
Karahi – a type of thick, circular, and deep cooking-pot similar in shape to a wok that originated in the Indian subcontinent; Kazan – a type of large cooking pot used throughout Central Asia, Russia, and the Balkan Peninsula; Marmite – a traditional crockery casserole vessel found in France, it is known for its "pot-belly" shape. [29 ...
The coils were then smoothed together to create walls. The slab method used square slabs of clay to create boxes or types of additions like feet or lids for vessels. Once the pot was formed into the shape, then it would have been set to dry until it was leather hard. Then, the pot was painted, inscribed, or slipped.
There are also several traditional techniques of handbuilding, such as pinching, soft slab, hard slab, and coil construction. Other techniques involve threading animal or artificial wool fiber through paperclay slip, to build up layers of material. The result can be wrapped over forms or cut, dried and later joined with liquid and soft paperclay.
The clay is then worked using coiling techniques to form it into vessels that are primarily used for utilitarian purposes such as pots, storage containers for food and water, bowls and platters. Slab and pinch pot techniques are used for animal or human figurines. Tempering agents such as sand, old pieces of broken and ground-up pottery or ...
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