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A furiant is a rapid and fiery Bohemian dance in alternating 2/4 and 3/4 time, with frequently shifting accents; or, in "art music", in 3/4 time "with strong accents forming pairs of beats".
In cut-time; two beats per measure or the equivalent thereof alla marcia In the style of a march alla polacca In the style of a polonaise, a 3 4 dance alla Siciliana In the style of a graceful Sicilian rustic dance; allargando Broadening, becoming progressively slower allegretto A little lively, moderately fast allegretto vivace A moderately ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Mazurka – Polish folk dance in triple meter, often lively and with strong accents on the second or third beat. Odzemek – Traditional Czech dance often in a fast duple meter. Polka – Lively Bohemian dance. Polonaise – Dance of Polish origin, in triple meter. Saltarello – Lively, jumping Italian dance in a quick triple meter.
A peasant dance from Bergamo: Burletta: a little joke: A light comic or farcical opera Cabaletta: from copola (couplet) A two-part musical form Cadenza: falling: A florid solo at the end of a performance Cantata: sung: A piece for orchestra and singers Capriccio: caprice: A lively piece, free in form, often used to show musical skill Cavatina ...
At that time, it was the only television program for this type of music in the United States. [20] A number of polka shows originated from the Buffalo Niagara Region in the 1960s, including WKBW-TV 's Polka Time , which was hosted for its first half-year on air by Frankie Yankovic, and cross-border station CHCH-TV 's Polka Party , hosted by ...
The second movement, a waltz, opens with a lilting dance melody in C ♯ minor. The first section repeats, and the second section begins in E Mixolydian. A string of eighth notes in the violins transitions into the second theme in A major. The first theme returns, and Part A is closed with a cadential fortissimo C-sharp minor chord.
4 time. The dance starts out slowly with the dancer(s) walking; it is from this that the dance got its name: in Czech "špacírovat" (coming from the German word Spazieren) means "to walk around." The dance was used by some Czech composers, for example Antonín Dvořák in his Slavonic Dances, with the Špacírka as the fifth dance from opus 72.