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Era's lyrics are written in Latin and English, and some are based on beliefs of the Cathars, a 13th century sect of French heretics. [citation needed] Era's live shows and music videos often feature artists dressed in medieval or traditional clothes and armour. Usually, actors Pierre Boisserie and Irene Bustamante perform at Era shows.
It is Era's third album. It achieved success in several European countries. The title track, "The Mass", is an adaptation of O Fortuna, a classical piece by Carl Orff. [citation needed] Videos were shot for "The Mass" and "Looking for Something" on location at Chateau de Commarque, France; featuring actors Pierre Boisserie and Irene Bustamante.
National Artist Levi Celerio also wrote Tagalog lyrics to the song during the 1950s. The song is still sung today in various communities, especially in churches both in the Philippines and abroad (usually during the end of the Holy Mass). [1] Ang Pasko ay Sumapit is in public domain as an unprotected work.
A music video for "Ameno" was shot for the song featuring actors Léonore Confino (sword girl) (version 1), Iréne Bustamante, and Pierre Boisserie (version 2). The music video, set in medieval times, shows three children who go on an excursion to Montségur. The girl sees a monument and when she touches it, she seems to have memories of a past ...
Ere" also debuted at No. 138 on Billboard Global Excl. US chart, becoming the first Filipino song to appear on the chart. [3] Following its growing popularity on both digital and streaming platforms, the song broke the record for the biggest single day streams in the Philippines on Spotify with 1.77 million streams, dethroning " Mine " by ...
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' Happy is this Hour ') is a Cebuano Christmas carol composed in 1933 by Vicente Rubi with lyrics by Mariano Vestil. Its famous counterpart is Ang Pasko Ay Sumapit , a modified version of the song written by Levi Celerio with lyrics in Tagalog (but not as a translation of the original); however, Celerio is often given all songwriting credit ...
Marcelo Quiteria Adonay (baptized February 6, 1848 – February 8, 1928) was a Filipino church composer, musician, organist, musical director, and music teacher. [2] He is regarded as a major icon of Philippine golden age of church music for his extensive contribution to religious music in the Philippines throughout his career.