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The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions.
After Mesopotamia fell to the Persian Achaemenid Empire, which had much simpler artistic traditions, Mesopotamian art was, with Ancient Greek art, the main influence on the cosmopolitan Achaemenid style that emerged, [102] and many ancient elements were retained in the area even in the Hellenistic art that succeeded the conquest of the region ...
[25]: 425 One of the most famous examples of Uruk temples is the White Temple, named after the white gypsum plaster that covered it. The White Temple, dedicated to the god Anu was built upon a platform 13 meters high. This style is a predecessor to the ziggurat formations that would come later in Mesopotamian history. [26]
The most prestigious form of art besides sculpture was panel painting, i.e. tempera or encaustic painting on wooden panels. Unfortunately, since wood is a perishable material, only a very few examples of such paintings have survived, namely the Severan Tondo from circa 200 AD, a very routine official portrait from some provincial government ...
The Sumerian bed was a wooden bed on a wooden frame. The bed frame was a tall head-board decorated with pictures of birds and flowers. [9] Sometimes the bed's leg would be inlaid with precious metals and shaped to look like animal's paws. [2] Some Akkadian beds had ox-hoof feet. [6]
Map showing the general Mesopotamian geographical location. Neo-Sumerian art is a period in the art of Mesopotamia made during the Third Dynasty of Ur or Neo-Sumerian period, c. 2112 BC – c. 2004 BC, in Southern Mesopotamia (modern-day Iraq). It is known mostly for the revival of the Sumerian stylistic qualities and was centered around ...
Mesopotamian deity sitting on a stool, holding the rod-and-ring symbol. Old-Babylonian fired clay plaque from Southern Mesopotamia, Iraq. The rod-and-ring symbol is a symbol that is depicted on Mesopotamian stelas, cylinder seals, and reliefs. It is held by a god or goddess and in most cases is being offered to a king who is standing, often ...
The ziggurat was a piece in a temple complex that served as an administrative center for the city, and which was a shrine of the moon god Nanna, the patron deity of Ur. [ 6 ] The construction of the ziggurat was finished in the 21st century BC by King Shulgi , who, in order to win the allegiance of cities, proclaimed himself a god.