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Interior of the Canterbury Hall, an early example of a music hall, opened 1852 in Lambeth.. Early British popular music, in the sense of commercial music enjoyed by the people, can be seen to originate in the 16th and 17th centuries with the arrival of the broadside ballad as a result of the print revolution, which were sold cheaply and in great numbers until the 19th century.
1859: Popular Music of Olden Time, William Chappell (1809–1888) (ed.) 1882: Northumbrian Minstrelsy – A Collection of the Ballads, Melodies and Small-Pipe Tunes of Northumbria, J. Collingwood Bruce (1805–1892) and John Stokoe (eds.) [2] 1882: English and Scottish Popular Ballads, Francis James Child (1825–1896) (ed.)
This article presents a timeline of events in the history of the United Kingdom from 1800 AD until 1899 AD. For a narrative explaining the overall developments, see the related History of the British Isles.
Despite being the centre of both folk revivals and the British folk rock movement, the songs of London were largely neglected in favour of regional and rural music until relatively recently. London, unsurprisingly, was the most common location mentioned in English folk songs, including 'London is a Fine Town', and the 'London Prentice' and it ...
George Frideric Handel was a leading figure of early 18th-century British music.. Music in the British Isles, from the earliest recorded times until the Baroque and the rise of recognisably modern classical music, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. [1]
Hubert Parry (back l.), Alexander Mackenzie (front c.) and Charles Villiers Stanford (front r.) in 1910 with Edward German (back r.) and Dan Godfrey (front l.. The English Musical Renaissance was a hypothetical development in the late 19th and early 20th century, when British composers, often those lecturing or trained at the Royal College of Music, were said to have freed themselves from ...
Each of the major nations of England, Ireland, Scotland and Wales retained unique forms of music and instrumentation, but British music was highly influenced by continental developments, while British composers made an important contribution to many of the major movements in early music in Europe, including the polyphony of the Ars Nova and ...
As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]