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[15] Billboard said it has "the wit and style he applied to 'Handy Man.'" [16] Elliott Murphy recorded the song for a French tribute album, Every Day Is a Holly Day, in 1989. In 1990, the British guitarist Peter White recorded it for the album Reveillez-Vous. [17] [18] Pearl Jam covered the song in Lubbock, Texas, Holly's birthplace, on October ...
Its founder members were Paul Young (vocals), Ian Wilson (guitar), Vic Emerson (keyboards), Ashley Mulford (lead guitar), John Stimpson (bass) and Tony Cresswell (drums). [2] The band took their name from the Carson McCullers novella Ballad of the Sad Café .
In 1976, the song was performed by the Muppets on The Muppet Show. In 1979, Larry Butler produced a cover version by Kenny Rogers and Dottie West, for their album Classics. Alvin and the Chipmunks and Butler covered the song for the 1981 album Urban Chipmunk. Butler produced the song again in 1981 on the Sammy Davis Jr. album Closest of Friends ...
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
"Everyday" is a song by the British rock band Slade, released in 1974 as the second single from their fourth studio album, Old New Borrowed and Blue. It was written by lead vocalist Noddy Holder , bassist Jim Lea and his wife Louise Lea (uncredited), and was produced by Chas Chandler .
In addition to composing the song's music, Stephen Street performed bass on the song. He commented, " 'Everyday Is Like Sunday' was me trying to be the bass player of Echo & the Bunnymen! The chords are quite simple, but again the bassline was a big part of the songwriting."
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The Bee Gees covered "Every Day I Have to Cry" as teenage recording artists in Australia. This version was recorded at Festival Studios in February 1965 and marked an important first for the group, Maurice Gibb playing organ, which was the first of many times he would contribute keyboards to the group's recordings. [2]