Search results
Results from the WOW.Com Content Network
The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models. There are also a number of standard bases which are commonly used as a first step in construction.
The Huzita–Justin axioms or Huzita–Hatori axioms are a set of rules related to the mathematical principles of origami, describing the operations that can be made when folding a piece of paper. The axioms assume that the operations are completed on a plane (i.e. a perfect piece of paper), and that all folds are linear.
Computational origami results either address origami design or origami foldability. [3] In origami design problems, the goal is to design an object that can be folded out of paper given a specific target configuration. In origami foldability problems, the goal is to fold something using the creases of an initial configuration.
Between the Folds is a 2008 film documentary about origami. Directed by Vanessa Gould and broadcast on Independent Lens, the film received a 2010 Peabody Award. [1] Notable origami artists featured in the film include Erik and Martin Demaine, Tom Hull, Éric Joisel, Satoshi Kamiya, Robert J. Lang, and (using archival footage) Akira Yoshizawa.
This category is for origami, the Japanese art of paper folding. Other paper folding arts and mathematical aspects of paper folding are in Category:Paper folding.
Small Computer System Interface (SCSI, / ˈ s k ʌ z i / SKUZ-ee) [2] is a set of standards for physically connecting and transferring data between computers and peripheral devices, best known for its use with storage devices such as hard disk drives.
Maying Soong's 1948 book, The Art of Chinese Paper Folding, helped popularise recreational paper folding in the 20th century, and was possibly the first to distinguish the difference between Chinese versus Japanese paper folding – where the Chinese focus primarily on inanimate objects, such as boats or pagoda, the Japanese include representations of living forms, such as the crane. [4]
In 1954, his first monograph, Atarashii Origami Geijutsu (New Origami Art) was published. In this work, he established the Yoshizawa–Randlett system of notation for origami folds (a system of symbols, arrows and diagrams [3]), which has become the standard for most paperfolders. The publishing of this book helped Yoshizawa out of his poverty.