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Download as PDF; Printable version; ... A free Android app with scales & building chords for the scales; A Study Of Scales
The notes of a scale are numbered by their steps from the first degree of the scale. For example, in a C major scale the first note is C, the second D, the third E and so on. Two notes can also be numbered in relation to each other: C and E create an interval of a third (in this case a major third); D and F also create a third (in this case a ...
The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, and major modes, depending on which note serves as the tonic.Below are the mode names, their degrees, and the following seventh chords that can be built using each modal tonic or degree of the parent mode as the root: a major seventh chord, a half-diminished seventh chord, a minor seventh chord ...
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
Also, since all chords are analyzed as having a tonic, subdominant, or dominant function, with, for instance, in C, A minor being considered the tonic parallel (tP) (US relative), the use of minor mode root chord progressions in major such as A â™-major–B â™-major–C-major is analyzed as sP–dP–T, the minor subdominant parallel (see ...
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The diatonic scale notes (above) and the non-scale chromatic notes (below) [13] Medieval theorists defined scales in terms of the Greek tetrachords. The gamut was the series of pitches from which all the Medieval "scales" (or modes , strictly) notionally derive, and it may be thought of as constructed in a certain way from diatonic tetrachords.
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