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  2. The Mary Whitehouse Experience - Wikipedia

    en.wikipedia.org/wiki/The_Mary_Whitehouse_Experience

    Each section was punctuated with a small excerpt of the theme music, Jack to the Sound of the Underground. A companion book to the series was released in 1991, titled The Mary Whitehouse Experience Encyclopedia, which contains references to some of the sketches featured on the show and much new additional material. [5]

  3. Glossary of Schenkerian analysis - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_Schenkerian...

    The first tone of the Fundamental line. One of the three notes of the tonic triad, , or . See Schenkerian analysis:The fundamental line. Prolongation (German: Auskomponierung), Composing-out, Elaboration. The process in tonal music through which a pitch, interval, or consonant triad is able to govern spans of music when not physically sounding.

  4. Music theory - Wikipedia

    en.wikipedia.org/wiki/Music_theory

    The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...

  5. Berklee method - Wikipedia

    en.wikipedia.org/wiki/Berklee_method

    For example, Berklee Music Theory - Book 2 recommends the following accompaniment for a given lead sheet, [2] while this progression does not occur in common practice theory since all the chords are seventh chords and unprepared dissonant. Accompaniment acceptable in the Berklee method [2] but not in common practice theory. Play ⓘ

  6. Glossary of music terminology - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_music_terminology

    High; often refers to a particular range of voice, higher than a tenor but lower than a soprano alzate sordini Lift or raise the mutes (i.e. remove mutes) am Steg (Ger.) At the bridge (i.e. playing a bowed string instrument near its bridge, which produces a heavier, stronger tone); see sul ponticello amabile Amiable, pleasant ambitus

  7. Voice leading - Wikipedia

    en.wikipedia.org/wiki/Voice_leading

    Rigorous concern for voice leading is of greatest importance in common-practice music, although jazz and pop music also demonstrate attention to voice leading to varying degrees. The style of voice leading will depend on the performing medium; for example, singing a large leap may be harder than playing it on piano. [2]

  8. Voice exchange - Wikipedia

    en.wikipedia.org/wiki/Voice_exchange

    Voice exchange is also used in Schenkerian analysis to refer to a pitch class exchange involving two voices across registers, one of which is usually the bass. In this sense, it is a common secondary structural feature found in the music of a wide variety of composers. [12]

  9. Tritone paradox - Wikipedia

    en.wikipedia.org/wiki/Tritone_paradox

    Each Shepard tone consists of a set of octave-related sinusoids, whose amplitudes are scaled by a fixed bell-shaped spectral envelope based on a log frequency scale. For example, one tone might consist of a sinusoid at 440 Hz, accompanied by sinusoid at the higher octaves (880 Hz, 1760 Hz, etc.) and lower octaves (220 Hz, 110 Hz, etc.).