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A more comprehensive collection, with tracks from both record labels, was the 2000s The Very Best of Badfinger. [131] In 2013, a new compilation titled Timeless was issued by EMI/Universal both to capitalise on the use of "Baby Blue" in the finale of Breaking Bad and to include the 2010 remastered versions of Badfinger's songs on a greatest ...
Classic Rock critic Rob Hughes rated "Day After Day" as Badfinger's greatest song, due to the "unassailable melody, plaintive vocals and lovestruck sentiment" as well as Harrison's "wonderful slide solo." [11] Ultimate Classic Rock critic Michael Gallucci rated it as Badfinger's 2nd best song, highlighting Harrison's "distinctive guitar playing."
I Can Love You (Badfinger song) I Can't Believe In; I Can't Take It (Badfinger song) I Don't Mind (Badfinger song) I Got You (Badfinger song) I Miss You (Badfinger song) I'd Die Babe; I'll Be the One (Badfinger song) I'm in Love (Badfinger song) I've Been Waiting (The Iveys song) Icicles (Badfinger song) In the Meantime (Badfinger song) Island ...
Roberts called it Badfinger's signature song. [11] Classic Rock critic Rob Hughes rated it as Badfinger's 3rd greatest song, saying that the band "added lustrous three-part harmonies" to McCartney's original. [12] In 1978 a re-formed version of Badfinger re-recorded "Come and Get It" for K-tel Records, with Evans again
The power ballad [1] has been recorded by over 180 artists, [2] and versions released as singles by Harry Nilsson (1971) and Mariah Carey (1994) became international number one hits. The Nilsson version was included in 2021's Rolling Stone ' s 500 Greatest Songs of All Time. [3] Paul McCartney once described it as "the killer song of all time". [4]
"Baby Blue" was released as a single in the US on 6 March 1972, in a blue-tinted picture sleeve and featuring a new mix. [1] Because Al Steckler, the head of Apple US, felt that it needed a stronger hook in the opening, he remixed the track with engineer Eddie Kramer in February 1972, applying heavy reverb to the snare during the first verse and middle eight. [1]
Due to Badfinger's subsequent fame and the album's limited release, Maybe Tomorrow became an expensive collectible for many years, often earning between $200 and $400 US dollars for a single used copy. Although a 1990s re-release of the album on CD format curbed demand for the original album, the CD itself became collectible because of its ...
A subsequent single released by Badfinger, "Baby Blue" (Billboard number 14, 1972), along with several album tracks in a similar vein, succeeded in categorizing the band themselves as power pop. This song is ranked number 1 on VH1 's "20 Essential Power Pop Tracks That Will Be Stuck In Your Head Forever".