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Southern Gothic particularly focuses on the South's history of slavery, racism, fear of the outside world, violence, a "fixation with the grotesque, and a tension between realistic and supernatural elements". [4] Similar to the elements of the Gothic castle, Southern Gothic depicts the decay of the plantation in the post-Civil War South. [4]
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
The Southern Gothic includes stories set in the Southern United States, particularly following the Civil War and set in the economic and cultural decline that engulfed the region. Southern Gothic stories tend to focus on the decaying economic, educational and living standards of the post-Civil War South. There is often a heavy emphasis on race ...
The sociology of literature is a subfield of the sociology of culture.It studies the social production of literature and its social implications. A notable example is Pierre Bourdieu's 1992 Les Règles de L'Art: Genèse et Structure du Champ Littéraire, translated by Susan Emanuel as Rules of Art: Genesis and Structure of the Literary Field (1996).
Steven Bruhm (1994) Gothic Bodies: The Politics of Pain in Romantic Fiction. Philadelphia: University of Pennsylvania Press. Philadelphia: University of Pennsylvania Press. Gary Crawford (1986) "Criticism" in J. Sullivan (ed) The Penguin Encyclopedia of Horror and the Supernatural .
Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and romanticism Contents: Top
Grant Wood's magnum opus American Gothic, 1930, has become a widely known (and often parodied) icon of social realism.. Social realism is work produced by painters, printmakers, photographers, writers, filmmakers and some musicians that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions.
The Graveyard School's melancholy was not new to English poetry, but rather a continuation of that of previous centuries; there is even an elegiac quality to the poems almost reminiscent of Anglo-Saxon literature. [4] The characteristics and style of Graveyard poetry is not unique to them, and the same themes and tone are found in ballads and odes.