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Relief fragment of Mara in Gandhara style, found in Swat Valley The demons of mara. Palm leaf manuscript. Nalanda, Bihar, India Mara's assault on the Buddha (an aniconic representation: the Buddha is only symbolized by his throne), 2nd century, Amaravati Stupa, India Mara, his lustful daughters, and demonic army, attempting to tempt Buddha, on a 10th-century icon from Mogao Caves
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
A very common display in churches dedicated to Saint Peter. It has also been modernly used as a satanic or anti-Christian symbol. Eye of Horus: Ancient Egyptian religion: The eye of the god Horus, a symbol of protection, now associated with the occult and Kemetism, as well as the Goth subculture. Eye of Providence (All-Seeing Eye, Eye of God)
Mahakala statue, holding a flaying knife (kartika) and skullcup (kapala). In Buddhism, wrathful deities or fierce deities are the fierce, wrathful or forceful (Tibetan: trowo, Sanskrit: krodha) forms (or "aspects", "manifestations") of enlightened Buddhas, Bodhisattvas or Devas (divine beings); normally the same figure has other, peaceful, aspects as well.
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The three poisons (Sanskrit: triviṣa; Tibetan: dug gsum) in the Mahayana tradition or the three unwholesome roots (Sanskrit: akuśala-mūla; Pāli: akusala-mūla) in the Theravada tradition are a Buddhist term that refers to the three root kleshas that lead to all negative states.
Great mandala of the Tôji imperial temple in Kyoto. Buddhism includes a wide array of divine beings that are venerated in various ritual and popular contexts. Initially they included mainly Indian figures such as devas, asuras and yakshas, but later came to include other Asian spirits and local gods (like the Burmese nats and the Japanese kami).
In Chinese, he is known as Dàfàntiān (大梵天), meaning "Brahma-deva", and Sìmiànshén (四面神), meaning "Four-faced god" as depicted in the Thai tradition. While he is considered to be the creator god in Hinduism, he is not regarded as such in Buddhism, which rejects the notion of any creator deities.