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The Sturm und Drang movement did not last long; according to Betty Waterhouse it began in 1771 and ended in 1778 (Waterhouse v). The rise of the middle class in the 18th century led to a change in the way society and social standings were looked at. Dramatists and writers saw the stage as a venue for critique and discussion of societal issues.
Heinrich Christoph Koch (10 October 1749 – 19 March 1816) was a German music theorist, musical lexicographer and composer. In his lifetime, his music dictionary was widely distributed in Germany and Denmark; today his theory of form and syntax is used to analyse music of the 18th and 19th centuries.
Before 1750, the German upper classes often looked to France (or, previously, Italy) for intellectual, cultural and architectural leadership; French was the language of high society. By the mid-18th century the "Aufklärung" (The Enlightenment) had transformed German high culture in music, philosophy, science and literature.
Friedrich Erhard Niedt (31 May 1674 – 1717) was a German jurist, music theorist, and composer. Niedt was born in Jena, and enrolled at the University of Jena in 1694, where he is thought to have studied law. Around 1700, he moved to Copenhagen, staying in Hamburg along the way. He died in Copenhagen.
Performance on period instruments is a key aspect of HIP, such as this baroque orchestra (Photo: Josetxu Obregón and the Spanish ensemble La Ritirata, 2013).. Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical ...
Franz Anton Mesmer (/ ˈ m ɛ z m ər / MEZ-mər; [1] German:; 23 May 1734 – 5 March 1815) was a German physician with an interest in astronomy.He theorized the existence of a process of natural energy transference occurring between all animate and inanimate objects; this he called "animal magnetism", later referred to as mesmerism.
The courtyard of the palace at Mannheim. Mannheim school refers to both the orchestral techniques pioneered by the court orchestra of the Elector Palatine in Mannheim in the latter half of the 18th century and the group of composers of the early classical period, who composed for the orchestra of Mannheim.
Although the movement traced its roots back to the 15th-century Congregazioni Ceciliani, which in turn inspired the formation during the 18th century in Munich, Passau, Vienna, and other places of Caecilien-Bündnisse (Cecilian Leagues) with the goal of promoting the a cappella singing of sacred music (in keeping with the edicts of the Council of Trent), the Cecilian movement proper is ...