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Taino Zemi mask from Walters Art Museum. A zemi or cemi (Taíno: semi [sÉ›mi]) [2] was a deity or ancestral spirit, and a sculptural object housing the spirit, among the Taíno people of the Caribbean. [3] Cemi’no or Zemi’no is a plural word for the spirits.
Areíto or areyto was a Taíno language word adopted by the Spanish colonizers to describe a type of religious song and dance performed by the Taíno people of the Caribbean.
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Yúcahu [1] —also written as Yucáhuguama Bagua Maórocoti, Yukajú, Yocajú, Yokahu or Yukiyú— was the masculine spirit of fertility in Taíno mythology. [2] He was the supreme deity or zemi of the Pre-Columbian Taíno people along with his mother Atabey who was his feminine counterpart. [3]
Guabancex is the zemi or deity of chaos and disorder in Taíno mythology and religion, which was practiced by the Taíno people in Puerto Rico, Hispaniola, Jamaica, and Cuba, as well as by Arawak natives elsewhere in the Caribbean.
The Spanish arrived with a group of captured Indians found out through Bacanao small daughter who was embracing the body of her dead mother (Abama), the truth about the crime. Gálvez's servant was taken prisoner as so were the Taino rebels and Baconao's Daughter. The Spanish buried Gálvez and left Mabey's cadaver to rot and be eaten by vultures.
El Cemí museum (Spanish: Museo del Cemí) is dedicated to the native Taino culture, particularly the zemi and other artifacts found in the area. This museum is housed in a zemi-shaped building located in the grounds of the Canales house. [2]
Atabey is an ancestral mother of the Taíno, one of two supreme ancestral spirits in Taíno mythology.She was worshipped as a zemi, which is an embodiment of nature and ancestral spirit, (not to be confused with a goddess, how she is commonly referred to in colonial terms to replace Taíno verbiage and culture) of fresh water and fertility; [1] she is the female entity who represents the ...