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The Newberry Library in Chicago owns an Arabic manuscript written in 1848, with a handwritten note that it is bound in human skin, though "it is the opinion of the conservation staff that the binding material is not human skin, but rather highly burnished goat".
Later the game was adapted to drawing and collage, in a version called picture consequences, with portions of a person replacing the written sentence fragments of the original. [9] The person is traditionally drawn in four steps: The head, the torso, the legs and the feet with the paper folded after each portion so that later participants ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
The third interpretation of the name - that it refers to a poetry collection that uses a large quantity of paper - was proposed by Yūkichi Takeda in his Man'yōshū Shinkai jō (萬葉集新解上), [11] but Takeda also accepted the second interpretation; his theory that the title refers to the large volume of paper used in the collection has ...
The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by writer William Burroughs .
Newsletter from Mirtha Dermisache [19]. Asemic writing occurs in avant-garde literature and art with strong roots in the earliest forms of writing. [20] The history of today's asemic movement stems from two Chinese calligraphers: "crazy" Zhang Xu, a Tang dynasty (c. 800 CE) calligrapher who was famous for creating wild illegible calligraphy, and the younger "drunk" monk Huaisu who also ...
Magoun thought that formulaic poetry was necessarily oral in origin. That sparked a major and ongoing debate over the extent to which Old English poetry, which survives only in written form, should be seen as, in some sense, oral poetry. The oral-formulaic theory of composition has now been applied to a wide variety of languages and works.
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