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The Game released a controversial artwork of the album via Instagram on October 21, 2012 and also announced the release date will be December 11. The cover, designed and illustrated by former Interscope art director Mike Saputo, [15] portrays a dark-skinned Jesus in a stained glass window with a teardrop tattoo, a red bandanna around his mouth, and wearing a Jesus piece. [16]
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" Jesu, meine Freude" ([ˈjeːzu ˈmaɪnə ˈfʁɔʏdə]; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, [1] with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence.
Jesus sat with sinners, so he’s going to sit with Trump," Vaughn said. “It’s not about where Trump came from, it’s about where he’s going and where he’s trying to take us.”
Kowalska also wrote that Jesus stressed the importance of the image as part of the Divine Mercy devotion, and in Notebook 1, item 327, she attributed these words to Jesus: "I am offering people a vessel with which they are to keep coming for graces to the fountain of mercy. That vessel is this image with the signature; 'Jesus, I trust in You." [19]
The icon measures about 57 by 57 centimetres (22.4 by 22.4 inches) and is 2 centimetres (0.79 inches) thick. [1] The icon has been damaged over the years with some of the pigment missing and it has two vertical cracks running through the image, but it can still be readily made out. [1]
My Jesus, I love Thee, I know Thou art mine; For Thee all the follies of sin I resign. My gracious Redeemer, my Savior art Thou; If ever I loved Thee, my Jesus, 'tis now. I love Thee because Thou has first loved me, And purchased my pardon on Calvary's tree. I love Thee for wearing the thorns on Thy brow; If ever I loved Thee, my Jesus, 'tis now.
"Face to face with Christ my Savior" is Carrie Breck's best-known composition, which has appeared in many hymnals. [5] It has mainly been sung in America, and is less known in the United Kingdom. [1] It was first published in an 1899 anthology by Grant Tullar and Isaac H. Meredith, Sermons in Song, No. 2. [1]