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Beethoven's portrait by Joseph Karl Stieler, 1820. Ludwig van Beethoven (1770–1827) was a German composer in the transition between the classical and romantic period. He composed in many different forms including nine symphonies, five piano concertos, and a violin concerto. [1] Beethoven's method of composition has long been debated among ...
In his book The Joy of Music, Leonard Bernstein, who, in his television documentary Bernstein on Beethoven admitted that he considered Beethoven the greatest composer who ever lived, nevertheless criticized his orchestration as sometimes being "downright bad", with "unimportant" orchestral parts being given too much prominence.
Beethoven: A Life in Nine Pieces is a biographical book written by Laura Tunbridge and published by Viking in 2020. Each chapter uses one of nine compositions of Ludwig van Beethoven in chronological order. The publishing year was intended to coincide with the 250th anniversary of the composer's birth.
Beethoven then repeats the subject, but in a completely different rhythm, in diminution (meaning at double the tempo), twice, climbing up the scale; and then, again silence, and again the subject, this time unadorned, in a dramatic drop to pianissimo in the key of F major.
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Most of Beethoven's best known works were published with opus numbers, with which they may be reliably identified.Another 228 works are designated WoO (Werke ohne Opuszahl – literally, "works without opus number"), among them unpublished early and occasional works (Cantata on the Death of Emperor Joseph II, WoO 87), published variations and folksong arrangements (25 Irish Songs, WoO 152 ...
The last trio, in C minor, brings the most energy and novelty with highly passionate tone. C minor is one of Beethoven's most important keys. Three of his piano sonatas and the fifth symphony were written in C minor, for instance. This trio invokes those later works' power and peculiar character so typical of Beethoven.
Unlike in the Drum Roll symphony, Beethoven's solo forms the opening theme; the same notes, when they reappear in the recapitulation section (m. 365), are played by the full orchestra. Beethoven had a reputation for composing the music that he wanted to hear, and was not much concerned with the instruments' limitations in his writing.