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Mate. Feed. Kill. Repeat. is the first album recorded by American heavy metal band Slipknot, and their only release with original lead vocalist Anders Colsefni. The album was limited to 1,000 copies, with distribution beginning on October 31, 1996. The band sold the last 386 units through ‑ismist Recordings in 1997. The album has become ...
Later, it was reissued in December 1999 with a slightly-altered track listing and mastering as the result of a lawsuit. It was the first release by the band to be produced by Ross Robinson, who sought to refine Slipknot's sound rather than alter the group's musical direction. This is the only album to feature original guitarist Josh Brainard ...
Third video album Voliminal: Inside the Nine was released in December 2006. [11] 2008's All Hope Is Gone, Slipknot's fourth studio album, was the band's first to top the Billboard 200, as well as several album charts in other regions. [12] "Psychosocial", "Dead Memories" and "Snuff" all reached the Billboard Alternative Songs top 20. [9]
Ozzfest greatly increased Slipknot's audience, furthering the band's success with their self-titled album that was released on June 29, 1999. [33] Slipknot released its first home video Welcome to Our Neighborhood, which was directed by Thomas Mignone, and the singles "Wait and Bleed" and "Spit It Out", [20] which
"Wait and Bleed" is a 1999 song by American heavy metal band Slipknot, released as their debut and lead single from their 1999 self-titled debut album. After being remixed to replace the screamed vocals in the verses with more melodic singing, it was released as the lead single from the album in July 1999, and peaked at number 34 on the US ...
The following is a list of the most expensive albums made with a recorded sum of over $1 million, sorted by the most money spent in promotional campaigns and album covers. The recording process traditionally requires an investment in studio time and skilled record production labor, and the process can be expensive.
The first Slipknot album on which Thomson performed was the 1999 self-titled debut. Speaking about the process of recording the album, he recalled in an interview for Revolver magazine that "It was a nightmarish hell to do that fucking record", primarily due to the group's lack of money, poor quality of food, and other band members' bad habits. [4]
A music video featuring the live recording of "The Nameless" was created to promote the album. [2] Head of marketing at Roadrunner Records, Bob Johnsen, stated that the price of 9.0: Live was reduced in an effort to give "added value", resulting in the double-disc album being "two hours of music for the price of one". [ 10 ]