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Beantown Swing Orchestra (2006-) Big Sandy & His Fly-Rite Boys (1990–) Big Bad Voodoo Daddy (1989–) Clint Black ... The Quebe Sisters Band (2000–) Riders in the ...
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.
Swing bands and sales continued to decline from 1953 to 1954. In 1955, a list of top recording artists from the previous year was publicly released. The list revealed that big band sales had decreased since the early 1950s. [37] However, big band music saw a revival in the 1950s and 1960s.
Gordon Goodwin (born 1954) (Big Phat Band) Glen Gray (1900-1963) ( Casa Loma Orchestra ) (1927-1963) George Gee (George Gee Swing Orchestra; formerly known as the Make-Believe Ballroom Orchestra)
Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing the Lindy Hop. In contrast to the typical jazz emphasis on ...
The following is a list of big band musicians Ray Anthony (b. 1922) Buster Bailey (1902–1967) [1] Count Basie (1904–1984) [2] John Beasley (b. 1960) ...
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music."
Sammy Kaye (born Samuel Zarnocay Jr.; March 13, 1910 – June 2, 1987) was an American bandleader and songwriter, [1] whose tag line, "Swing and Sway with Sammy Kaye", became one of the most famous of the Big Band Era. [1] The expression springs from his first hit single in 1937, "Swing and Sway" (U.S. no. 15).