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Complementary colors are pairs of colors which, when combined or mixed, cancel each other out (lose chroma) by producing a grayscale color like white or black. [1] [better source needed] When placed next to each other, they create the strongest contrast for those two colors. Complementary colors may also be called "opposite colors".
When staring at a bright color for a while (e.g. red), then looking away at a white field, an afterimage is perceived, such that the original color will evoke its complementary color (green, in the case of red input). When complementary colors are combined or mixed, they "cancel each other out" and become neutral (white or gray).
Despite this, many color theorists have devised formulae, principles or guidelines for color combination with the aim being to predict or specify positive aesthetic response or "color harmony". Color wheel models have often been used as a basis for color combination guidelines and for defining relationships between colors. Some theorists and ...
Vivid Light: this blend mode combines Color Dodge and Color Burn (rescaled so that neutral colors become middle gray). Dodge applies when values in the top layer are lighter than middle gray, and burn applies to darker values. The middle gray is the neutral color.
Magenta is variously defined as a purplish-red, reddish-purple, or a mauvish–crimson color. On color wheels of the RGB and CMY color models, it is located midway between red and blue, opposite green. Complements of magenta are evoked by light having a spectrum dominated by energy with a wavelength of roughly 500–530 nm.
Because these definitions of saturation – in which very dark (in both models) or very light (in HSL) near-neutral colors are considered fully saturated (for instance, from the bottom right in the sliced HSL cylinder or from the top right) – conflict with the intuitive notion of color purity, often a conic or biconic solid is drawn instead (fig. 3), with what this article calls chroma as ...
The hexadic (also called triple complementary, or double triadic) color scheme is the color scheme with the most distinct colors possible. It is a six-color combination consisting of base color and five colors that are 60, 120, 180, 240 and 300 degrees apart from the base color.
A fictitious color or imaginary color is a point in a color space that corresponds to combinations of cone cell responses in one eye that cannot be produced by the eye in normal circumstances seeing any possible light spectrum. [4] No physical object can have an imaginary color.