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Court Ladies Preparing Newly Woven Silk is a silk painting attributed to Emperor Huizong of the Song dynasty. It is the only extant copy of a lost original Court Ladies Preparing Newly Woven Silk by Chinese artist Zhang Xuan. [1] The painting depicts an annual imperial ceremony of silk production, held in spring.
Xiangyunsha silk (traditional Chinese: 香雲紗; simplified Chinese: 香云纱; pinyin: Xiāng-yún-shā) or Gambiered Guangdong silk [1] is a type of silk originating in the 5th century [2] from Guangdong province (also known as Canton) in China [1] that is created by dyeing silk with gambier juice and covering it in soil [3] from the Pearl River, [4] resulting in a copper color on one side ...
Leizu (Chinese: 嫘祖; pinyin: Léi Zǔ), also known as Xi Ling-shi (Chinese: 西 陵 氏, Wade–Giles Hsi Ling-shih), was a legendary Chinese empress and wife of the Yellow Emperor. According to tradition, she discovered sericulture, and invented the silk loom, in the 27th century BC.
The Pibo likely originated from Persian kingdoms in West Asia and potentially influenced by Hellenistic culture.It was possibly introduced to China via the Silk Road.It was particularly popular during the Sui and Tang Dynasty, where the silk pibo can be found both in the Western regions of Dunhuang and Turpan and the central region of Chang'an, reflecting the vibrant silk trade during that time.
Silk spinning mill, Suzhou, China The filaments of six cocoons are used to form one thread for spinning silk (Suzhou, 1987) Women weaving silk. Kashgar. Local governments have and are continuing to introduce new facilities that are expected to bring in latest high-end silk manufacturing machinery that will elevate both the quality and the quantity of the silk being produced in China.
In the 20th century, Japan and China regained their earlier dominant role in silk production, and China is now once again the world's largest producer of silk. The rise of new imitation silk fabrics, such as nylon and polyester , has reduced the prevalence of silk throughout the world, being cheaper and easier to care for.
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Now in the Hunan Museum, it is one of the "Chinese cultural relics forbidden to be exhibited abroad", announced by the Chinese government in 2002. The painting is in a rectangular shape, 37.5 cm in height and 28 cm in width. The silk cloth is dark brown in colour with a flat-line pattern.