Search results
Results from the WOW.Com Content Network
Titus Burckhardt sums up the role of aniconism in Islamic aesthetics as follows: The absence of icons in Islam has not merely a negative but a positive role. By excluding all anthropomorphic images, at least within the religious realm, Islamic art aids man to be entirely himself.
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Islamic countries have developed modern and contemporary art, with very vigorous art scenes, but the degree to which these should be grouped in a special category as "Islamic art" is questionable, although many artists deal with Islam-related themes, and use traditional elements such as calligraphy.
The Green Mosque is often seen as the culmination of the early Ottoman architectural style, mainly due to the level of aesthetic and technical mastery displayed within the mosque. [3] The Green Mosque was commissioned by Sultan Mehmed I Çelebi, who ruled from 1413 to 1421, after a fight against his brothers to reunite the Ottoman Empire. [4]
Although Byzantine mosaics evolved out of earlier Hellenistic and Roman practices and styles, [4] craftspeople within the Byzantine Empire made important technical advances [4] and developed mosaic art into a unique and powerful form of personal and religious expression that exerted significant influence on Islamic art produced in Umayyad and ...
Furthermore, the Kufic script plays an important role in the development of Islamic calligraphy. In fact, "it is the first style of Islamic period writings in which the manifestation of art, delicacy and beauty are explicitly evident", says Salwa Ibraheem Tawfeeq Al-Amin. [6]
The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in ...