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Renaissance music flourished in Europe during the 15th and 16th centuries. The second major period of Western classical music, the lives of Renaissance composers are much better known than earlier composers, with even letters surviving between composers. Renaissance music saw the introduction of written instrumental music, although vocal works ...
Principal liturgical (church-based) musical forms, which remained in use throughout the Renaissance period, were masses and motets, with some other developments towards the end of the era, especially as composers of sacred music began to adopt secular (non-religious) musical forms (such as the madrigal) for religious use.
The earliest American classical music consists of part-songs used in religious services during Colonial times. The first music of this type in America were the psalm books, such as the Ainsworth Psalter, brought over from Europe by the settlers of the Massachusetts Bay Colony. [1]
Jeremiah Dencke (1725–1795); Philip Phile (c.1734–1793); James Lyon (1735–1794); Johannes Herbst (1735–1812); Francis Hopkinson (1737-1791); William Selby ...
This is a list of English composers of the Renaissance period in alphabetical order. Richard Alison (c. 1560/1570–before 1610) John Amner (1579–1641) Hugh Aston (c. 1485–1558) Thomas Ashwell (c. 1478–after 1513) John Benet (fl. 1420–1450) John Bennet (c. 1575–after 1614) William Brade (1560–1630) John Browne (fl. c. 1490) John ...
During the late 15th century, standards of music education in the region were excellent, and he was probably educated in his homeland, although the location is not known. [ 1 ] [ 2 ] Sixteenth-century Swiss music theorist and writer Heinrich Glarean claimed Isaac for Germany by dubbing him "Henricus Isaac Germanus", but in his will Isaac called ...
The following outline is provided as an overview of and topical guide to the Renaissance: . Renaissance – cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe.
Common practice period – period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.