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The Remarks at Amherst College on the Arts at the Presidential Convocation and Groundbreaking for the Robert Frost Library is a speech delivered by United States President John F. Kennedy about the arts and liberal education in honor of the American poet Robert Frost to the students and faculty of Amherst College, a liberal arts college in Amherst, Massachusetts, on October 26, 1963.
New Hampshire is a 1923 poetry collection by Robert Frost, which won the 1924 Pulitzer Prize for Poetry. [1]The book included several of Frost's most well-known poems, including "Stopping by Woods on a Snowy Evening", [2] "Nothing Gold Can Stay" [3] and "Fire and Ice". [4]
"Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry. The poem lapsed into public domain in 2019. [2]
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, [2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
"Fermi and Frost" is a science fiction short story by American writer Frederik Pohl, first published in the January 1985 issue of Isaac Asimov's Science Fiction Magazine. It won the Hugo Award for Best Short Story in 1986.
A Witness Tree is a poetry collection by Robert Frost, most of which are short lyric, first published in 1942 by Henry Holt and Company in New York. The collection was awarded the Pulitzer Prize for Poetry in 1943.
As it was being published, Frost met with fellow writer Ezra Pound, who insisted they immediately go to Nutt to see a copy of the book in print. Pound offered to write a review that day and soon introduced Frost to poet William Butler Yeats. [5]: 127–8 Yeats said he considered A Boy's Will "the best poetry written in America in a long time."
Stuart Kelly of The Scotsman commented "Like the TV version, there is an unsettling balance between gothic horror and slapstick comedy. One very minor character in the original, the vampish Lana – rather winkingly referred to as having “the eternal appeal of the ‘dark feminine’ archetype” – gets a quick cameo on the arm of “a notorious resident of a certain eponymous tower on ...