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The Graveyard School is an indefinite literary grouping that binds together a wide variety of authors; what makes a poem a "graveyard" poem remains open to critical dispute. At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's " Elegy Written in a Country Churchyard ", Thomas Parnell's "Night-Piece on Death", Robert ...
Tone and mood are not the same. The tone of a piece of literature is the speaker's or narrator's attitude towards the subject, rather than what the reader feels, as in mood. Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and
The mood and the depiction of the subjects is reminiscent of the musicians and circus performers in Paris, although it does not represent the joie de vivre of the young couple but rather their concerns and their problems. The same opposition appears in the gay combination of colors -- a boldly painted goat in blue, and the cow in red -- paired ...
The earliest literary criticism on Carlyle is an 1835 letter from Sterling, who complained of the "positively barbarous" use of words in Sartor, such as "environment," "stertorous," and "visualised," words "without any authority" that are now widely used. [23]
The speaker of the poem invokes a melancholic mood main character wanders through an urban environment and the descriptions are reminiscent of medieval settings. The main character, in his pursuits, devotes his time to philosophy, to allegory, to tragedy, to Classical hymns, and, finally, to Christian hymns that cause him to be filled with a ...
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic. [1]
The story starts with Bertha in a blissful mood as her party approaches, as she considers the specialness and unconventionality of her mood. The maid has prepared a colourful fruit tray for the party, which Bertha will arrange. The nanny is feeding the baby, who reluctantly lets Bertha hold her.
The mood of Widows may be read as part of a shift toward darkness and melancholy as an aesthetic in fashion, which some authors have argued was a response to global turmoil and increased nihilism following the turn of the century.