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Computer-generated render of the Stanford dragon. The Stanford dragon is a computer graphics 3D test model created with a Cyberware 3030 Model Shop (MS) Color 3D scanner at Stanford University. Data for the model was produced in 1996. The dragon consists of data describing 871,414 triangles [note 1] [1] determined by 3D scanning a real figurine
Seiji Fujishiro [] (born 1924–), a renowned kirie (' paper picture ') artist known for his colourful kirigami, which have also been published as a book.; Nahoko Kojima (born 1981–), a professional contemporary Japanese kirigami artist, who pioneered sculptural, three-dimensional kirigami.
These 50 printable pumpkin carving templates are ready to inspire you. On each image, click "save image as" and save the JPEGs to your computer desktop. From there, you can print them!
The inspiration for the patterns usually lies in the nature that surrounds the people in the region. Many nomadic tribes in Central Asia had many animalistic motifs before the penetration of Islam in the region. Chinese flask decorated with a dragon, clouds and some waves, an example of Jingdezhen porcelain
The artist is removing a dragon figure after it cooled and solidified. Sugar painting (糖画) is a form of traditional Chinese folk art using hot, liquid sugar to create two dimensional objects on a marble or metal surface. Melted sugar is carried by a small ladle made by bronze or copper.
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Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
Maying Soong's 1948 book, The Art of Chinese Paper Folding, helped popularise recreational paper folding in the 20th century, and was possibly the first to distinguish the difference between Chinese versus Japanese paper folding – where the Chinese focus primarily on inanimate objects, such as boats or pagoda, the Japanese include representations of living forms, such as the crane. [4]