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Cē Ācatl Topiltzin Quetzalcōātl [seː ˈaːkat͡ɬ toˈpilt͡sin ket͡salˈkoːʷaːt͡ɬ] (Our Prince One-Reed Precious Serpent) (c. 895–947) is a mythologised figure appearing in 16th-century accounts of Nahua historical traditions, [5] where he is identified as a ruler in the 10th century of the Toltecs— by Aztec tradition their predecessors who had political control of the Valley ...
An Aztec sculpture of Xiuhcoatl from Texcoco, now in the British Museum [1]. In Aztec religion, Xiuhcōātl [ʃiʍˈkoːaːt͡ɬ] was a mythological serpent, regarded as the spirit form of Xiuhtecuhtli, the Aztec fire deity sometimes represented as an atlatl or a weapon wielded by Huitzilopochtli.
Quetzalcoatl became the ruler of the subsequent creation "Sun of Water", and Tezcatlipoca destroyed the third creation "The Sun of Wind" by striking down Quetzalcoatl. In later myths, the four gods who created the world, Tezcatlipoca, Quetzalcoatl, Huitzilopochtli and Xipe Totec were referred to respectively as the Black, the White, the Blue ...
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Statue of Ehecatl-Quetzalcoatl, in the Brooklyn Museum (New York City) Since the wind blows in all directions, Ehecatl was associated with all the cardinal directions . His temple was built as a cylinder in order to reduce the air resistance, and was sometimes portrayed with two protruding masks through which the wind blew.
Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
This angered Quetzalcoatl's brother, Tezcatlipoca, such that he persuaded others to kill Mixcoatl. Chimalman fled to her hometown of Tepoztlan and died giving birth to her son Topiltzin . Topiltzin would later discover his identity as Quetzalcoatl and that he was sent to help the Toltec civilization.