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Rio de Janeiro: Carioca Landscapes Between the Mountain and the Sea Rio de Janeiro: 2012 1100rev: v, vi (cultural) Rio de Janeiro is located in a scenery of remarkable natural beauty between the sea and mountains covered by lush forests. This setting has shaped the development of the city and inspired arts, music, and literature.
The Catholic Circle of Rio made a second proposal for a landmark statue on the mountain in 1920. [9] The group organized an event called Semana do Monumento ("Monument Week") to attract donations and collect signatures to support the building of the statue. The organization was motivated by what they perceived as "Godlessness" in the society.
The Sugarloaf Mountain and Urca Hill Natural Monument was created by the city of Rio de Janeiro by municipal decree 26578 of 1 June 2006. The objectives are to guarantee green spaces for leisure in a natural area, and to conserve, protect and recover the existing Atlantic Forest ecosystem and landscape. [ 1 ]
The Cristo Redentor, as Brazilians call it, is a postcard not only for the city of Rio de Janeiro but for the entire country. The statue’s wide-open arms, spanning 92 feet, seem to personally ...
Sugarloaf seen from Urca hill. Sugarloaf view from Botafogo beach Sunrise in Rio de Janeiro with Sugarloaf Mountain, as seen from Tijuca Forest. Sugarloaf Mountain (Portuguese: Pão de Açúcar, pronounced [ˈpɐ̃w dʒ(i) ɐˈsukaʁ]) is a peak situated in Rio de Janeiro, Brazil, on a peninsula at the mouth of Guanabara Bay.
Rio has many important cultural landmarks, such as the Biblioteca Nacional (National Library), one of the largest libraries in the world with collections totalling more than 9 million items; the Theatro Municipal; the National Museum of Fine Arts; the Carmen Miranda Museum; the Rio de Janeiro Botanical Garden; the Parque Lage; the Quinta da Boa ...
Escadaria Selarón, locally known as the 'Lapa Steps' (Escadaria da Lapa) for being situated at the "Lapa" neighborhood, is a set of world-famous steps in Rio de Janeiro, Brazil. They are the work of Chilean-born artist Jorge Selarón who claimed it as "my tribute to the Brazilian people". [1]
The current building was constructed by the order of Gomes Freire de Andrade, governor of the Capitania (colonial administrative region) of Rio de Janeiro. The architect was the Portuguese military engineer José Fernandes Pinto Alpoim, a close collaborator of the governor, who greatly enlarged the existing buildings of the Royal mint and the Royal storage house which existed in the same place.
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