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2. ChromaFlair - Wikipedia

   en.wikipedia.org/wiki/ChromaFlair

   The aluminium and chrome give the paint a vibrant metallic sparkle, while the glass-like coating acts like a refracting prism, changing the apparent color of the surface as the observer moves. [ 3 ] ChromaFlair paints contain no conventional absorbing pigments ; rather, the pigment is a light interference pigment .

3. Munsell color system - Wikipedia

   en.wikipedia.org/wiki/Munsell_color_system

   The Munsell color system, showing: a circle of hues at value 5 chroma 6; the neutral values from 0 to 10; and the chromas of purple-blue (5PB) at value 5. In colorimetry, the Munsell color system is a color space that specifies colors based on three properties of color: hue (basic color), value , and chroma (color intensity

4. Colorfulness - Wikipedia

   en.wikipedia.org/wiki/Colorfulness

   Chroma is the "colorfulness of an area judged as a proportion of the brightness of a similarly illuminated area that appears white or highly transmitting". [3] [2] As a result, chroma is mostly only dependent on the spectral properties, and as such is seen to describe the object color. [4]

5. Chromaticity - Wikipedia

   en.wikipedia.org/wiki/Chromaticity

   Chromaticity is an objective specification of the quality of a color regardless of its luminance. Chromaticity consists of two independent parameters, often specified as hue (h) and colorfulness (s), where the latter is alternatively called saturation, chroma, intensity, [1] or excitation purity.

6. Tint, shade and tone - Wikipedia

   en.wikipedia.org/wiki/Tint,_shade_and_tone

   Mixing a color with any neutral color (including black, gray, and white) reduces the chroma, or colorfulness, while the hue (the relative mixture of red, green, blue, etc., depending on the colorspace) remains unchanged.

7. Pigment - Wikipedia

   en.wikipedia.org/wiki/Pigment

   The Munsell system describes a color in three dimensions, hue, value (lightness), and chroma (color purity), where chroma is the difference from gray at a given hue and value. By the middle 20th century, standardized methods for pigment chemistry were available, part of an international movement to create such standards in industry.