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The monument in Chichester Cathedral "An Arundel Tomb" is a poem by Philip Larkin, written and published in 1956, and subsequently included in his 1964 collection The Whitsun Weddings. It describes the poet's response to seeing a pair of recumbent medieval tomb effigies with their hands joined in Chichester Cathedral.
The poem describes the sight of a thirteenth-century church in what is now known as Middleton-on-Sea in West Sussex. The churchyard of the poem's title was the church's cemetery . The area had been subject to substantial erosion since at least 1341, and preventative measures were employed in 1570 and 1779.
The poem on a gravestone at St Peter’s church, Wapley, England "Do not stand by my grave and weep" is the first line and popular title of the bereavement poem "Immortality", written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
A church monument is an architectural or sculptural memorial to a deceased person or persons, located within a Christian church. It can take various forms ranging from a simple commemorative plaque or mural tablet affixed to a wall, to a large and elaborate structure, on the ground or as a mural monument, which may include an effigy of the ...
John Weever in 1631. John Weever (1576–1632) was an English antiquary and poet. He is best known for his Epigrammes in the Oldest Cut, and Newest Fashion (1599), containing epigrams on Shakespeare, Ben Jonson, and other poets of his day, and for his Ancient Funerall Monuments, the first full-length book to be dedicated to the topic of English church monuments and epitaphs, which was ...
Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
Sonnet 55 is interpreted as a poem in part about time and immortalization. The poet claims that his poem will outlast palaces and cities, and keep the young man's good qualities alive until the Last Judgement. The sonnet traces the progression of time, from the physical endeavours built by man (monuments, statues, masonry), as well as the ...
An ancient English altar stone. Scriptural and liturgical allusions contribute to the phrasing of the poem's imagery. The altar’s fabric is reared of stone that “no workman’s tool hath touched”, which is in line with the divine commandment to the Jews after their exodus from Egypt that "if thou wilt make me an altar of stone, thou shalt not build it of hewn stone: for if thou lift up ...