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Thomas Gray (26 December 1716 – 30 July 1771) was an English poet, letter-writer, and classical scholar at Cambridge University, being a fellow first of Peterhouse then of Pembroke College. He is widely known for his Elegy Written in a Country Churchyard , published in 1751.
First page of Dodsley's illustrated edition of Gray's Elegy with illustration by Richard Bentley. Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751. [1] The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742.
Download as PDF; Printable version; ... Pages in category "Poetry by Thomas Gray" ... The Bard (poem) E. Elegy Written in a Country Churchyard
At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's "Elegy Written in a Country Churchyard", Thomas Parnell's "Night-Piece on Death", Robert Blair's The Grave and Edward Young's Night-Thoughts. At its broadest, it can describe a host of poetry and prose works popular in the early and mid-eighteenth century.
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Some say the best known elegy in English is "Elegy Written in a Country Churchyard," by Thomas Gray, a well-known English poet. This elegy discusses the actual condition of death, not just the death of a single individual. John Milton’s "Lycidas," considered the most famous pastoral elegy, mourns the death of the poet’s good friend Edward King.
Thomas Gray, Elegy Written in a Country Church-Yard, published anonymously, a literary sensation published February 15 by Robert Dodsley in a quarto pamphlet with a preface by Horace Walpole (reprinted in Designes by Mr. R. Bentley 1753 and in Gray's Poems 1768); [1] an important work of the Graveyard poets movement
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...