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Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
The Saxophone Concerto was Adams's first composition following his three-hour oratorio The Gospel According to the Other Mary.Adams, whose father played alto saxophone in swing bands during the 1930s, has cited his early exposure to such jazz saxophonists as John Coltrane, Eric Dolphy, and Wayne Shorter as inspiration for the piece.
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
He received great acclaim for his 1969 double-LP record For Alto, the first full-length album of solo saxophone music. [ 3 ] [ 4 ] A prolific composer with a vast body of cross-genre work, the MacArthur Fellow [ 5 ] and NEA Jazz Master has released hundreds of recordings and compositions. [ 6 ]
Mother Goose, solo@afkikker in Bone: a tribute to Steve Lacy: Gent: 2003 [CD attached in book] Live 2001-12 The Beat Suite: Universal Music Jazz France: 2003: 2002-05 Work with Anthony CoxăDaniel Humair Sawano: 2003: 2002-07 One More Time with Joëlle Léandre Leo: 2005: Live 2002-07, 2002-08 Leaves Blossoms: Naked Music: 2005: Live 2002-12 ...
Newman was born in Corsicana, Texas, United States, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. [1] According to one account, he got his nickname "Fathead" in school when "an outraged music instructor used it as an epithet after catching Newman playing a Sousa march from memory rather than from reading the sheet music, which rested ...
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
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