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James Mercer Langston Hughes (February 1, 1901 [1] – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri.One of the earliest innovators of the literary form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance.
Langston Hughes was born in 1902, in Missouri. He attended high school in Cleveland, Ohio, where he first began writing. [1] He graduated from Central High School in 1917. [2] Several years after graduating high school, Hughes decided to travel to Mexico City and live with his father, whom he did not know well. He left in 1920.
The Big Sea (1940) is an autobiographical work by Langston Hughes.In it, he tells his experience of being a writer of color in Paris, France, and his experiences living in New York, where he faced injustices surrounding systematic racism.
I learned that Langston Hughes wrote a poem about Black voters in Miami while researching a story six years ago. In “The Ballad of Sam Solomon,” Hughes documents how Overtown resident Samuel B ...
Carrie Langston Hughes learned she was pregnant again and returned to Joplin. However, James Hughes, seeking to escape racial segregation in the United States, moved to Mexico, where he spent most of the rest of his life, becoming fairly prosperous. Carrie gave birth on February 1, 1902, to James Mercer Langston Hughes in Joplin, Missouri. [1]
Hughes said that Not Without Laughter is semi-autobiographical, and that a good portion of the characters and setting included in the novel are based on his memories of growing up in Lawrence, Kansas: "I wanted to write about a typical Negro family in the Middle West, about people like those I had known in Kansas.
In the final twenty years of his life, Lindsay was one of the best known poets in the U.S. His reputation enabled him to befriend, encourage and mentor other poets, such as Langston Hughes and Sara Teasdale. His poetry, though, lacked elements which encouraged the attention of academic scholarship, and, after his death, he became an obscure figure.
At this time Hughes’ poetry was better known to Cubans than that of Guillén, so the American's arrival created a stir in the artistic community. The next month, on 9 March 1930, Guillén published “Conversación con Langston Hughes”, an article describing his experience of meeting Hughes in Havana.