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Balanchine’s legacy in shaping ballet technique and dancer aesthetics is profound and lasting. His influence not only transformed American ballet but left an indelible mark on the global ballet culture. Today, the “Balanchine body” and the principles of his technique continue to be both celebrated and criticized.
There are stylistic variations related to an area or origin, which are denoted by classifications such as Russian ballet, French ballet, British ballet and Italian ballet. For example, Russian ballet features high extensions and dynamic turns, whereas Italian ballet tends to be more grounded, with a focus on fast, intricate footwork.
Soon ballet spread around the world with the formation of new companies, including London's The Royal Ballet (1931), the San Francisco Ballet (1933), American Ballet Theatre (1937), the Royal Winnipeg Ballet (1939), The Australian Ballet (1940 as the predecessor Borovansky Ballet), the New York City Ballet (1948), the Cuban National Ballet ...
The Royal Academy of Dance method, also referred to as the English style of ballet, was established in 1920 by Genee, Karsavina, Bedells, E Espinosa, and Richardson. The goal of this method is to promote academic training in classical ballet throughout Great Britain. This style also spread to the United States, and is widely utilized still today.
The ballet, The Four Temperaments was the first work Balanchine made for the Ballet Society, the forerunner of the New York City Ballet, and premiered on November 20, 1946, at the Central High School of Needle Trades, New York, during the Ballet Society's first performance. Though at the premiere, critics did not receive the ballet well, it was ...
The school was founded by the Russo-Georgian-born choreographer George Balanchine, and philanthropists Lincoln Kirstein and Edward Warburg in 1934. [1] Balanchine's self- prescribed edict, "But first, a school", is indicative of his adherence to the ideals of the training that was fostered by the Imperial Ballet School where he received his training.
Closely related to the development of American music in the early 20th century was the emergence of a new, and distinctively American, art form – modern dance. Among the early innovators was Isadora Duncan (1878–1927), who stressed pure, unstructured movement in lieu of the positions of classical ballet.
The American Ballet was the first professional ballet company George Balanchine created in the United States. The company was founded with the help of Lincoln Kirstein [ 1 ] and Edward Warburg , [ 2 ] managed by Alexander Merovitch [ 3 ] and populated by students of Kirstein and Balanchine's School of American Ballet . [ 4 ]