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At a walking pace; flowing; moderately slow tempo Andantino: a little bit walking: Less of a walking pace than andante (so slightly quicker) A tempo: to time: Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower than largo) Largo ...
Beethoven wrote this piece in triple time but punctuated it in a way that, when coupled with the tempo, makes it sound as if it is in quadruple time. [ 41 ] While adhering to the standard compound ternary design (three-part structure) of a dance movement (scherzo-trio-scherzo or minuet-trio-minuet), the scherzo section has an elaborate internal ...
Vivace is a musical tempo marking. Vivace may also refer to: VIVACE, an alternative name for Vortex power, a form of hydro power. USS Vivace (SP-583), a United States Navy ship. Vivace, a US aerospace company, competed for NASA's Human Landing System
In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
Realism tends to describe middle or lower class milieux in order to paint a picture of the regular life of a majority of the population at the time the literature was written. From the people to the places, Realism strove to present everything in an undramatic and "true" manner.
These works are part of an accepted literary canon and widely taught in schools. Coming-of-age. Bildungsroman: works that focus on the psychological and moral growth of a character from youth into adulthood. [1] Encyclopedic; Epic: a narrative defined by heroic or legendary adventures presented in a long format.
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere.
Isochrony is a linguistic analysis or hypothesis assuming that any spoken language's utterances are divisible into equal rhythmic portions of some kind. Under this assumption, languages are proposed to broadly fall into one of two categories based on rhythm or timing: syllable-timed or stress-timed languages [1] (or, in some analyses, a third category: mora-timed languages). [2]