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Conforming with most of the others, Étude Op. 10, No. 7 consists of three sections.The first theme in C major is followed by a short second theme in D major, which returns to the first theme.
Consequently, observing metaphors in this manner helps uncover the contextual background of the writer in question. In cognitive poetics, context is an essential notion for understanding literature. One example of cognitive poetics using these assumptions is in the literary device of humour. Through the combination of metaphors, and the ...
La Zambinella suggests that her womanhood might be in question, but Sarrasine is too enthralled with Zambinella as the perfect woman to pay any attention. When Sarrasine finally learns Zambinella is a castrato, he first denies the possibility, then tries to kill Zambinella, upon which he is himself killed.
Isochrony is a linguistic analysis or hypothesis assuming that any spoken language's utterances are divisible into equal rhythmic portions of some kind. Under this assumption, languages are proposed to broadly fall into one of two categories based on rhythm or timing: syllable-timed or stress-timed languages [1] (or, in some analyses, a third category: mora-timed languages). [2]
Cognitive Tempo (a term of cognitive psychology, ... Cognitive Tempo can be assessed using the Matching Familiar Figures Test (MFFT) ...
In German psychology, the term character was often used in place of personality. As such, characterology was the study of personality, its development, and its differences between individuals. The term personality however, which was dominant in English use, came to be preferred after the end of World War II. [1]
An example in literature is the character of Touchstone in Shakespeare's As You Like It, described as "a wise fool who acts as a kind of guide or point of reference throughout the play, putting everyone, including himself, to the comic test". [3] Dante's "In la sua volontade è nostra pace" ("In his will is our peace"; Paradiso, III.85) [4]
While now used to discuss literature, the term tone was originally applied solely to music. This appropriated word has come to represent attitudes and feelings a speaker (in poetry), a narrator (in fiction), or an author (in non-literary prose) has towards the subject, situation, and/or the intended audience.