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The Metropolitan Museum of Art, New York City United States The Boy in the Red Vest: 1888–1890 80 × 64 cm Foundation E.G. Bührle, Zurich Switzerland Boy in a Red Vest: 1888–1890 81 × 85 cm Museum of Modern Art, New York City United States Boy in a Red Waistcoat: 1888–1890 92 × 73 cm National Gallery of Art, Washington, D.C. United States
His aim was "to make of Impressionism something solid and durable, like the art of museums." [3] It was painted in the 'mature' period of Cézanne's work. [4] The Mont Sainte-Victoire and the Viaduct of the Arc River Valley was a bequest to the Metropolitan Museum of Art by Henry Osborne Havemeyer and his wife Louisine Waldron Elder Havemeyer ...
The painting is owned and displayed by the Barnes Foundation museum in Philadelphia, Pennsylvania. The Card Players, 1890–1892, Metropolitan Museum of Art, New York. A more condensed version of this painting with four figures, long thought to be the second version of The Card Players, is in the Metropolitan Museum of Art in New York. At 65.4 ...
New York, acting as agent for Pellerin, 1936 [2]; sold to the City of Philadelphia for the W. P. Wilstach Collection, July 6, 1937 [3]. 1. Lent by M. and Mme. Pellerin to the 1936 exhibition "Cézanne", Musée de l'Orangerie, Paris, no. 107. 2. Provenance per John Rewald, The Paintings of Paul Cézanne: A Catalogue Raisonné, New York, 1996, no ...
The Bathers (French: Les Grandes Baigneuses) is an oil painting by French artist Paul Cézanne (1839–1906) first exhibited in 1906. The painting, which is exhibited in the Philadelphia Museum of Art, is the largest of a series of Bather paintings by Cézanne; the others are in the Museum of Modern Art in New York City, National Gallery, London, the Barnes Foundation, Pennsylvania, and the ...
Henri Rousseau (1844–1910), European Painting and Sculpture : page 202; Peter Paul Rubens (1577–1640), European Painting and Sculpture : page 130, 174; William Rush (1756-1833), American Art : page 276; Santiago Rusinol (1861-1931), European Painting and Sculpture : page 205
The Basket of Apples (French: Le panier de pommes) is a still-life oil painting by French artist Paul Cézanne, which he created c. 1893. The painting rejected naturalistic representation in favor of distorting objects to create multiple perspectives. This approach eventually influenced other art movements, including Fauvism and Cubism.
Still Life with Peaches and Pears or Still Life with Sugar Bowl is an oil-on-canvas painting by the French artist Paul Cézanne, from 1888-1890. It is held at the Pushkin Museum , in Moscow [ 1 ] It is similar to another still life by the artist which is now in the National Museum of Art, Architecture and Design , in Oslo .