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Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin focusing on thirds, trilling them at a high speed.Also called the Double Thirds Étude, it is considered one of the hardest of Chopin's 24 Études, ranking the highest level of difficulty according to the Henle difficulty rankings.
Étude Op. 25, No. 11 in A minor, often referred to as Winter Wind in English, is a solo piano technical study composed by Frédéric Chopin in 1836. It was first published together with all études of Opus 25 in 1837, in France, Germany, and England.
Analysis of Chopin Etudes at Chopin: the poet of the piano; Études Op.10: Scores at the International Music Score Library Project; Op. 10, No. 10 played by Alfred Cortot; Op. 10, No. 10 played by Claudio Arrau; Op. 10, No. 10 played by Sviatoslav Richter; Op. 10, No. 10 played by Paul Badura-Skoda; Op. 10, No. 10 played by Vladimir Ashkenazy
Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.
Chopin's metronome mark, given in the original French and German editions, [16] is . = 69 referring to dotted quarter notes. The English edition [17] has = 69 referring to quarter notes instead. Austrian pianist and composer Gottfried Galston (1879–1950) suggests a tempo of .
Opening of the Revolutionary Étude. Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", [1] is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").
Chopin Excerpt from the beginning of the Étude Op. 25, No. 5. Étude Op. 25, No. 5 in E minor, is a technical study composed by Frédéric Chopin in 1837. Marking a serious departure in the expected technique developed previously, Chopin wrote this étude with a series of quick, dissonant minor seconds.