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Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος, pronounced [oidípuːs týrannos]), or Oedipus the King, is an Athenian tragedy by Sophocles. While some scholars have argued that the play was first performed c. 429 BC, this is highly uncertain. [1]
In Oedipus Rex, he was told by Tiresias, "You bear your fate and I will bear mine," a message repeated by the Chorus, but scorned by Oedipus, who like his father has believed he can escape his fate. In Oedipus at Colonus, he declares that even though fate, which literally means "necessity" in ancient Greek, is something we must suffer as beyond ...
Oedipus represents two enduring themes of Greek myth and drama: the flawed nature of humanity and an individual's role in the course of destiny in a harsh universe. In the best-known version of the myth, Oedipus was born to King Laius and Queen Jocasta of Thebes. Laius wished to thwart the prophecy, so he sent a shepherd-servant to leave ...
Thinking that he was from Corinth, he set out toward Thebes to avoid this fate. [4] At the road called 'Cleft Way,' he met Laius, who was going to Delphi to consult the oracle because he had received omens indicating that his son might return to kill him. [5] Oedipus refused to defer to the king, although Laius' attendants ordered him to.
Oedipus is the king of Thebes, husband of Jocasta, and he is the supposed son of king Polybus of Corinth. He is the main protagonist of the play. Jocasta is the widow of the former king Laius, wife of Oedipus and sister of Creon. Creon is Jocasta's brother, and the chief aid to Oedipus in Thebes.
In Greek mythology, Eurydice (/ j ʊəˈr ɪ d ɪ s i /; Ancient Greek: Εὐρυδίκη, Eὐrudíkē "wide justice", derived from ευρυς eurys "wide" and δικη dike "justice) sometimes called Henioche, [1] was the wife of Creon, a king of Thebes.
The plot comes together when Oedipus realizes that he is the son and murderer of Laius as well as the son and husband of Jocasta. Martin M. Winkler says that here, peripeteia and anagnorisis occur at the same time "for the greatest possible impact" because Oedipus has been "struck a blow from above, as if by fate or the gods. He is changing ...
Augustus’ fate was naturally not in his control both as a slave and as a human being, just as Oedipus' fate was not in his hands. Dove says, “I want the audience to actually root for Amalia, Augustus’ mother and lover-to see her, and the others, as human beings trying to be individuals in a system that won't let them.